
Every April, the town of Hilo on Âé¶¹´«Ã½ Island buzzes with excitement as ʻ¨lapa hula (dancers) from near and far gather to participate in the world-renowned Merrie Monarch Hula Festival. For the past 16 years, before competition begins, the festival¡¯s opening ceremony has served as a cherished space for faculty and staff from the and to share mele, or songs, and engage in traditional protocol.

The hula cohort is known as Kūkūʻena, formed in 2008 by Âé¶¹´«Ã½ CC Professor Taup¨uri Tangar¨, who is also the director of Hawaiian culture and protocols and a kumu hula. Tangar¨ created the cohort alongside Gail Makuak¨¡ne-Lundin, former director of the UH Hilo and Âé¶¹´«Ã½ Papa O Ke Ao. Their hope was to transport employees beyond simply learning hula steps, aiming to deepen participants’ understanding of ʻike Âé¶¹´«Ã½, or Hawaiian ways of knowing in an effort to uplift UH as a leader in Indigenous education.
“For us, academia is a temple. It¡¯s a place where people come that are committed and they get transformed,” said Tangar¨. “The whole system of academia is designed to transform the student and their communities.”
Related UH News stories:
- From lab coat to malo, JABSOM scientist competes at Merrie Monarch, April 3, 2024
- UH Hilo celebrates Merrie Monarch, April 2, 2024
Seeds of inspiration

On March 31, more than 350 dancers from Âé¶¹´«Ã½ CC ³ó¨¡±ô²¹³Ü , which includes the Kūkūʻena cohort, graced Merrie Monarch¡¯s opening ceremony inside Hilo¡¯s Civic Auditorium. They shared both hula kahiko (ancient) and ʻauana (modern) mele. Among the dancers were Âé¶¹´«Ã½ CC interim Chancellor Susan Kazama and Kapiʻolani CC Chancellor Misaki Takabayashi.
Takabayashi previously taught marine science and conducted coral reef molecular ecology research at UH Hilo. With roots tracing back to Australia and Japan, the chancellor shares her profound journey with Kūkūʻena since its inception. “That whole experience helped define who I am and how I think today,” said Takabayashi. “It really did define what kind of educator I am.”
Inspired by her involvement with Kūkūʻena, Takabayashi created the Kūʻula marine science cohort during her time at UH Hilo, co-teaching with Native Hawaiian scientists and cultural practitioners to challenge students to merge western science with ʻike Âé¶¹´«Ã½.
This year¡¯s ceremony also marked a first for Kazama, who had never attended the Merrie Monarch Festival or danced hula prior to joining Kūkūʻena. She discovered a special connection to hula kahiko and particularly enjoyed learning chants about the Hawaiian fire goddess Pele.
Kazama credits Kūkūʻena with reshaping her views on Âé¶¹´«Ã½¡¯s history, culture and an overall approach to leadership.
More on Kūkūʻena
Named after an elder sister of Pele renowned for her caretaking and guidance, the cohort is shaped around embodying those same values as they bridge campuses and institutions through hula and Hawaiian cultural practice. The cohort¡¯s foundational vision is to foster success for Native Hawaiian students and all students alike while strengthening community relations.
