{"id":192417,"date":"2024-02-26T09:00:50","date_gmt":"2024-02-26T19:00:50","guid":{"rendered":"https:\/\/www.hawaii.edu\/news\/?p=192417"},"modified":"2024-02-26T15:27:13","modified_gmt":"2024-02-27T01:27:13","slug":"malama-ia-ka-aha-kuka-mua-loa-pili-i-ka-hana-noeau-he-oiwi-ma-uh-manoa","status":"publish","type":"post","link":"https:\/\/www.hawaii.edu\/news\/2024\/02\/26\/malama-ia-ka-aha-kuka-mua-loa-pili-i-ka-hana-noeau-he-oiwi-ma-uh-manoa\/","title":{"rendered":"M\u0101lama \u02bbia ka \u02bbaha k\u016bk\u0101 mua loa pili i ka hana no\u02bbeau he \u02bb\u014diwi ma UH<\/abbr> M\u0101noa"},"content":{"rendered":"Reading time: <\/span> 3<\/span> minutes<\/span><\/span>

English language version<\/a>
\n

\"Two
Hawaiian language production, He Leo Aloha<\/em> captured eight national awards from the Kennedy Center American College Theater Festival in 2022<\/figcaption><\/figure>\n

E mālama ʻia<\/span> ana kahi ʻaha<\/span> kūkā kamahaʻo<\/span> pili i nā hana noʻeau,<\/span> nā loina hōʻikeʻike,<\/span> a me ka hana keaka e like me ka mea i ʻike<\/span> ʻia<\/span> ma ke kaiāulu Kanaka Maoli a me nā kaiāulu ʻōiwi<\/span> nō hoʻi.<\/span> Mālama ʻia<\/span> hoʻi<\/span> ma ke Kulanui o Â鶹´«Ã½<\/span> ma Mānoa i ka lā 14 a me ka 15 o Malaki. Na ka ʻAhahui<\/span> Noiʻi<\/span> Noʻeau<\/span><\/a> ʻŌiwi:<\/span> Research Institute of Indigenous Performance (ANNO) i hoʻokumu<\/span> i ua paha kūkā nei i ala e hoʻomohala<\/span> aʻe<\/span> ai i ka hoʻomaopopo<\/span> ʻia<\/span> ʻana<\/span> o ka lehulehu i ka nui a me ka laulā o nā hanana i pili i ia kumuhana ʻo<\/span> Indigenous Performance Studies o ke kupu ʻana<\/span> maila. Aia hoʻi<\/span> ʻo<\/span> ANNO i ka malu o ka mahele Hawaiian Theatre<\/a> o UH<\/abbr> Mānoa.<\/p>\n

\"Two
Award-winning play, Hoʻoilina<\/span><\/em>, which debuted on Kennedy Theatre\u02bbs mainstage in 2022 is performed in Hawaiian, Pidgin, English and ʻ\u014dlelo m\u0101h\u016b (Queer creole).<\/figcaption><\/figure>\n

I ka hahai ʻana<\/span> i ka manaʻo<\/span> o Noiʻi<\/span> Nowelo, ka ʻimi<\/span> ʻana<\/span> hoʻi<\/span> i ʻike<\/span> kūhohonu, e hoʻākoakoa<\/span> ʻia<\/span> mai ana kēia ʻaha<\/span> kūkā i ka poʻe<\/span> akeakamai o UH<\/abbr> Mānoa a me ka Pakipika mai loko mai o nā mahele ʻike<\/span> a me nā hana noʻeau<\/span> he nui wale. Ma ia mau lā he ʻelua,<\/span> e mālama ʻia<\/span> he mau hōʻikeʻike,<\/span> haʻiʻōlelo,<\/span> pānela, hālāwai hoʻonaʻauao,<\/span> ʻaha<\/span> mele, a he hana keakanō hoʻi,<\/span> i pūnana e hua aʻe<\/span> ai nā manaʻo<\/span> kelakela a me nā pilina e kaʻa<\/span> ana ā puni ka honua.<\/p>\n

“An inaugural conference on Hawaiian and Indigenous performance is the centerpiece in establishing our research institute, which serves our mission to uplift and document Hawaiian and Indigenous performing arts,” said Tammy Hailiʻōpua<\/span> Baker, director and founder of the campus\u2019 inaugural Hawaiian Theatre program. “The theme of the conference is also the title of ANNO\u2019s forthcoming publication, Noiʻi<\/span> Nowelo \u2013 A Survey of Hawaiian and Indigenous Performance<\/em>, that features thirty contributors from Ko Â鶹´«Ã½<\/span> Pae ʻĀina (Â鶹´«Ã½)<\/span> and Oceania.”<\/p>\n

\"Backs
ʻAuʻa<\/span> ʻIa<\/span><\/em> earned a historic invitation to perform Off-Broadway in 2020, a first for a UH<\/abbr> M\u0101noa Department of Theatre and Dance production<\/figcaption><\/figure>\n

He huina o nā mahele ʻike<\/span> like ʻole<\/span><\/h2>\n

ʻO<\/span> kahi pahuhopu nui o Noiʻi<\/span> Nowelo ʻo<\/span> ka hoʻonui<\/span> ʻana<\/span> i ke kūkākūkā pū ʻana<\/span> a me ka hana pū ʻana<\/span> o nā ʻano<\/span> mahele ʻike<\/span> like ʻole,<\/span> e laʻa<\/span> hoʻi<\/span> ʻo<\/span> American studies, Cinematic arts, Curriculum studies, English, Kamakakūokalani Center for Hawaiian Studies, Kawaihuelani Center for Hawaiian Language, Theatre and Dance, and Women, Gender, a me Sexuality Studies.<\/p>\n

E kāinoa mai<\/h2>\n

No Noiʻi<\/span> Nowelo, kono ʻia nā mea hana noʻeau<\/span> ʻōiwi, nā polopeka hoʻokumu<\/span> o ANNO, a me nā mea kipa i kāinoa mai ma mua o ka ʻaha<\/span> kūkā. Paipai ʻia<\/span> ka ʻeleu<\/span> ma ke kāinoa ʻana<\/span> mai.<\/p>\n

I mau mea hou aku e eʻe<\/span> aku i ke kaha pūnaewele o ANNO<\/a>.<\/p>\n

—By Kuehu Myers<\/em><\/p>\n

<\/h2>\n

1st Indigenous performing arts conference hosted at UH<\/abbr> M\u0101noa<\/h2>\n
\"Professor
Tammy Hailiʻōpua<\/span> Baker<\/figcaption><\/figure>\n

An innovative conference dedicated to celebrating the artistic expression of Native Hawaiian and Indigenous communities will debut at the University of Â鶹´«Ã½<\/span> at Mānoa this spring. Spearheaded by the pioneering Indigenous performance research institute ʻAhahui<\/span> Noiʻi<\/span> Noʻeau<\/span> ʻŌiwi<\/span><\/a> (ANNO), the Noiʻi<\/span> Nowelo<\/a> conference March 14–15, seeks to broaden understanding and enrich contributions to the emerging field of Indigenous performance studies. ANNO is housed under the UH<\/abbr> Mānoa Hawaiian Theatre program<\/a>.<\/p>\n

In ʻōlelo<\/span> Â鶹´«Ã½<\/span> (Hawaiian language) Noiʻi<\/span> Nowelo can be understood as a deep and investigative delving, as a researcher may seek deep knowledge. The conference will bring together UH<\/abbr> experts from diverse academic and performance backgrounds, and artist-scholars from around the Pacific. The two-day event within and surrounding Kennedy Theatre<\/a> at UH<\/abbr> Mānoa will feature speakers, panels, workshops and performances, providing groundbreaking insights and opportunities for global connections and relationships.<\/p>\n

“An inaugural conference on Hawaiian and Indigenous performance is the centerpiece in establishing our research institute, which serves our mission to uplift and document Hawaiian and Indigenous performing arts,” said Tammy Hailiʻōpua<\/span> Baker, director and founder of the campus\u2019 inaugural Hawaiian Theatre program. “The theme of the conference is also the title of ANNO\u2019s forthcoming publication, Noiʻi<\/span> Nowelo – A Survey of Hawaiian and Indigenous Performance<\/em>, that features thirty contributors from Ko Â鶹´«Ã½<\/span> Pae ʻĀina (Â鶹´«Ã½)<\/span> and Oceania.”<\/p>\n

\"Hina
Hina Keala, Kaipu Baker, Imai Winchester (Paʻi<\/span> kiʻi<\/span>: John Wells)<\/figcaption><\/figure>\n

Multidisciplinary fusion<\/h2>\n

Noiʻi<\/span> Nowelo aims to cultivate dynamic conversations and collaborations from across various academic disciplines including American studies, Cinematic arts, Curriculum studies, English, Kamakakūokalani Center for Hawaiian Studies, Kawaihuelani Center for Hawaiian Language, Theatre and Dance, and Women, Gender, and Sexuality Studies.<\/p>\n

Secure a spot<\/h2>\n

The Noiʻi<\/span> Nowelo conference is open to invited participants, member faculty and registered guests. Timely registration is advised for those interested in attending.<\/p>\n

For more go to ANNO\u2019s website<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

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