In honor of its 50th anniversary, will welcome community members for an unforgettable free afternoon of performances featuring five decades of talent, including musical, dance, hula and theatre from distinguished alumni, current students and local performers on September 22, at 2 p.m.

The free event demonstrates Leeward Community College’s continued dedication to making arts and culture accessible to all, while celebrating the rich history of the theatre and its community.

The event will feature Leeward CC alumni talents such as Kristian Lei (singing), Starr Kalahiki (singing), Honybal Sosa (guitar), Phillip Kelley-Crawford (dance) and more, alongside community members who have contributed to the theatre’s legacy. This once-in-a-lifetime event will also include video interviews and monologues from notable alumni and staff.

Although tickets are free, .

Cornerstone of art, education, community

“Leeward Theatre has always been a gathering place for the community, and what better way to celebrate 50 years than by offering this milestone event for free,” said Elisa Olson, theatre manager. “We want to fill our theatre with the energy, appreciation and love from the community that has supported us for half a century.”

Leeward Theatre has been a cornerstone of performing arts, education, and community engagement in Leeward Oʻahu since its inception. The theatre has played a pivotal role in nurturing talent, entertaining audiences, and fostering a love for the arts within the local community.

It reopened in 2019 after a three-year, $12-million renovation, then had to shut down because of the COVID-19 pandemic. Leeward Theatre welcomed the community back in 2022.

With a recent $540,000 invested in University of �鶹��ý programs and students, to create partnerships with community groups and to promote sustainability, has raised its total philanthropic giving to UH to more than $2.3 million. The latest investments align with the Honolulu-based Native Hawaiian Organization’s mission to aloha ʻāina (love the homeland) by supporting the teaching and preservation of �鶹��ý’s lands and oceans.

The new gifts from the Alakaʻina Foundation create opportunities for and with on the Leeward Coast and for and in Windward Oʻahu.

“We feel it’s important not only that the young men and women of �鶹��ý have the skills they need to be effective leaders, but that they have the competencies our communities need for a sustainable future,” said Alakaʻina Foundation Executive Director Kimo Bacon. “We hope that many lives will be improved through our partnership, and we will keep our �鶹��ý moving forward.”

The three recently funded programs are:

• UH West Oʻahu: Alakaʻina Foundation Sustainable Food Systems Scholarship
• Leeward CC: Waiʻanae Moku Summer Bridge
• Windward CC:

The Alakaʻina Foundation has supported other UH programs, such as the ’ Online Associate in Arts Degree Program, the Ka Haka ʻUla O Keʻelikōlani College of Hawaiian Language, the Digital Bus Program and scholarships for Kauaʻi CC students transferring to the UH Mānoa , as well as students enrolled in Kauaʻi CC’s Electronics Technology program.

“We are grateful for Alakaʻina Foundation’s innovative system-wide approach to giving,” said Tim Dolan, UH vice president of advancement and CEO of . “This focus on sustainability, especially food security, will benefit generations of �鶹��ý students.”

The Alakaʻina Foundation Family of Companies disburses profits from its seven government service firms to nonprofit activities that benefit the Native Hawaiian community, primarily the youth of �鶹��ý.

(Editor’s note: Due to unforeseen circumstances, performance dates for E ʻaha ʻia ana ʻo Mauna Kea have been rescheduled to November 4, 2023, at 7:30 p.m. Already purchased tickets will be automatically moved and ticket holders will receive updated tickets via email next week. If ticket holders are unable to make the new date, contact the Leeward Theatre at (808) 455-0380 or ltheatre@hawaii.edu by September 15, 2023, for a refund or ticket exchange.)

The Leeward Community College Theatre will premiere its performance of E aha ʻia ana ʻo Mauna Kea, on September 8 and 9 at 7:30 p.m. This performance weaves together Hawaiian moʻōlelo (stories), contemporary dance and music in a captivating portrayal of the snow goddess Poliʻahu.

The performance is presented by the Kanaka Maoli Juilliard-trained composer, pianist, māhū drag artist and cultural practitioner T.J. Keanu Tario, also known as Laritza Labouche.

E aha ʻia ana ʻo Mauna Kea is a celebration of Hawaiian heritage and resilience. With echoes of the Protect Mauna Kea and Aloha ʻĀina movements, E aha ʻia ana ʻo Mauna Kea honors the land and its stories. The performance shines a light on māhū perspectives, adding a powerful layer of identity and cultural exploration.

The show is a transformative journey that melds tradition and modernity. By fusing moʻōlelo with contemporary expressions, Tario creates an immersive experience that encapsulates the heart of Hawaiian culture and the ongoing pursuit of cultural preservation.

For tickets, go to or call the Leeward Theatre box office at (808) 455-0385, open 10 a.m.–2 p.m. Monday through Friday.

Follow E aha ʻia ana ʻo Mauna Kea on social media:

• Facebook:
• Instagram:
• Hashtag: #LeewardTheatre50 #KanakaMaoli #MaunaKea

A new student-designed mural depicting shark goddess Kaʻahupāhau, and her brother, Kahiʻukā greets students and visitors to ’s Learning Commons and Library. The installment, “Nā Kiaʻi o Puʻuloa (The Protectors of Puʻuloa),” was art student Taylor Wilson’s way of highlighting the guardians of the region.

Leeward CC’s Learning Commons and Library faculty and staff had requested a window covering that could reduce glare and filter light coming through the large mauka facing windows of the building.

“We determined right away that we wanted to use this as an opportunity to display some of our Hawaiian moʻolelo (stories)—our Hawaiian traditions,” said Annemarie Paikai, Leeward CCʻ�� �鶹��ý-Pacific resource librarian. She, along with library faculty and staff, and art faculty, Erika Molyneux, sought the counsel of Momi Kamahele, Leeward CC’s Native Hawaiian Center coordinator, for ways to uplift the stories of the region.

This resulted in a spring 2022 semester project that involved several art classes. Students had to design a multi-panel mural that would eventually be printed on perforated vinyl and installed on the windows. Paikai shared the history and moʻolelo of Puʻuloa with the students, who then conducted their own research, and presented their artwork to a selection committee before a final piece was chosen.

“I was amazed by the variety of responses we got,” recalled Molyneux. “I was really impressed with their use of ʻŌlelo Noʻeau, both in the designs and in their titles, and how thoughtful their designs and reflections were.”

Ultimately, art student Wilson’s design was chosen for the mural.

“As ʻaumakua of Puʻuloa, Kaʻahupāhau and Kahiʻukā defended the area from man-eating sharks and provided for the people that lived here,” said Wilson. Showing a harmonious relationship was important to her, knowing that this piece would greet people as they enter the main campus. “I chose to focus on portraying the sharks more simply in harmony with the ocean, the fish, and the area,” said Wilson.

Wilson’s colorful depiction of the story of Kaʻahupāhau was created with careful considerations regarding style and color palette, “I started to think about mosaic pieces and how there’s a stained glass effect inside of cathedrals and how it brings a sense of peace and lets light in,” she said. “That’s why I chose brighter colors…as well as that big sun (in between the sharks) showing that there’s a light that they bring.”

The mural was installed in late November of 2022. “I absolutely love it,” said Chancellor Carlos Peñaloza. “It’s a shining example of a cross-campus collaboration that honors our efforts to indigenize Leeward.”

Wilson, who is still trying to take everything in, said, “Itʻ�� very surreal. It still hasn’t fully hit me. Every time I come to campus or I see the photos I just stand there in awe.”

On January 4, 2023, Leeward CC held a small dedication ceremony for the mural. Faculty and staff gathered for a short program that included a traditional Hawaiian dedication and appearances by key individuals who were involved in the project.

Also in attendance were two special guests: Lonnie Briggs, whose donations support Leeward’s Enrichment Fund and the Kimo Farrish Memorial Scholarship, and Mike Lee, who honors the memory of his late wife, Karen Fujishima-Lee (a former math instructor at Leeward CC) through a memorial scholarship in her name and the Fujishima-Lee Emergency Student Support Fund. Lee has also supported Leeward’s Food Service Enhancement Fund.

Learn more about .

The performing arts hopes and dreams of students and the surrounding communities got a major boost in 2019, after the three-year renovation of the Pearl City campus’ . Nearly $12 million in improvements included increased stage crew access, replacing the theater seats and modernizing the stage and lighting.

A jubilant Leeward CC staged Lin Manuel Miranda’s In the Heights in January 2019, and bookings began to pick up speed. It all came to a screeching halt when COVID-19 closed the campus in March 2020.

Today, after a combined five years of dormancy, the only major arts presenter and arts education center serving the Leeward and Central Oʻahu communities is welcoming audiences back through the storied lobby featuring a 100-foot-long mural by Jean Charlot to comfy new seats and the glow of the LED-lit stage.

Makalapua launches new season

Makalapua debuted in September and a full slate of renters have booked the new facility through the end of the 2022–23 season.

The current crop of students couldn’t be more excited.

“I think it’s gorgeous,” said Betty Hill, who volunteered as a stagehand for Makalapua. “It’s my first experience in a theater ever. It’s never been available to me before so I love it.”

Mokihana Garcia grew up in Waiʻanae and is hoping to perform in the new theater.

“A real stage like this is unknown, at least in my experience, so revolutionary,” he said.

Lalea Nilsen had the opportunity to perform ballet in Leeward CC’s Pau Hana, when the theater opened briefly in 2019.

“It’s beautiful,” Nilsen said. “I love the backdrop and how many people can fit in the audience.”

The shows go on

New Leeward Theatre Manager Elisa Olson has been in theaters all over the country—in 49 states to be exact. She has worked as a production stage manager for national tours and also served at the Kennedy Center in Washington D.C.

“We have something very special here, which I am very excited about, and the ability to utilize that is fantastic,” Olson said. “As far as what we have to offer and our capability, we can do just about anything.”

Her work now is both external and internal. Musical theatre, popularized by shows such as Glee, could be among Leeward’s future offerings.

“Honestly what I’m the most excited about is the ability to really engage with the community and build a program that’s here that represents Leeward,” Olson said. “We are planning on coming back for our 50th anniversary, which is next year, and offering a full slate of what we expect from Leeward Theatre and some new things along the way.”

Ahead at Leeward Theatre:

• �鶹��ý Ballet Theatre – Nutcracker (November 25–27, 2022)
• UH ����ԴDz� Bands (December 4, 2022)
• �鶹��ý Symphony (December 13, 2022)
• Pas De Deux Hawaii (December 9–10, 2022)
• �鶹��ý Symphony (February TBD, 2022)
• X1 Entertainment – Piper Rockelle—Social media influencer (February 19, 2023)
• Starpower Talent Competition (March 4–5, 2023)
• Treasure Box – Goldmine Dance Comp (March 24, 2023)
• UH Outreach College – Atamira Dance Company (April 14–15, 2023)
• EnerGy National Dance Competition (April 22–23, 2023)
• UH ����ԴDz� Bands (April 30, 2023)
• ʻIolani Schools (May 6, 2023)
• Ballet Hawaii (May 12–14, 2023)
• Island Pacific Academy (May 27, 2023)
• Spotlight Dance Cup (June 2–3, 2023)
• Rosalie Woodson Dance Academy (June 9–10, 2023)
• Pas De Deux Hawaii (June 16–18, 2023)
• Waipahu Community School for Adults (June 24, 2023)

—By Kelli Abe Trifonovitch

presents ’s Makalapua, the latest in an ongoing series of performances that feature Queen ��������ʻ�ܴǰ첹�����Ծ�’s mele in novel ways, on September 24 at 7:30 p.m. and September 25 at 3 p.m. This production explores the emotional and spiritual influence her compositions have had, and continue to have. The Liliʻu Project is dedicated to investigating ��������ʻ�ܴǰ첹�����Ծ�’s music and memoirs, guided by her own free-spirited innovation and interest in contemporary trends.

The musical ensemble is composed entirely of Leeward CC alumni, and is directed by Associate Professor John Signor.

Following their premiere at in 2014, the ensemble has presented ��������ʻ�ܴǰ첹�����Ծ�’s compositions on Oʻahu, as guests of the Smithsonian National Museum of the American Indian, the Festival Á Corps International Dance Festival in Poitiers, France, and at Soul Force Sacred Music Festival in Pasadena, California. Their current production features performer Ehulani Kāne and vocalist Starr Kalāhiki in a re-imagining of the 2014 installation.

Tickets are: $30 general admission, $20 seniors and military, $15 UH faculty and staff, and $5 UH and K–12 students.

More information regarding performances and ticket sales is available at: or call (808) 455-0380 or email Ltheatre@hawaii.edu.

More about the Liliʻu Project

The Liliʻu Project is also engaged in educational and community outreach projects about Liliʻuokalani and her impact through workshops, lectures, and performances including collaborations with Carnegie Hall Lullaby Project, Mālama Honua Charter School, Liliʻuokalani Trust, Matsunaga Institute For Peace in UH ����ԴDz�’s College of Social Sciences, The Peace Studio and various assisted living, library and school presentations.

The project maintains a clear conviction that Queen Liliʻuokalani is among �鶹��ý’s most significant and influential song composers, and that her song texts continue to inspire contemplation on universal themes and understanding.

Paul Cravath was a highly inspirational and talented drama professor at for 36 years before retiring in 2011. His innovative curriculum, disciplined approach to acting, and ability to hone talent served his students well as many went on to have successful careers in the entertainment industry. He was also committed to providing his students with life skills that would prove valuable in their careers and personal lives.

Cravath passed away on December 23, 2020, at his home in Silver City, New Mexico, at the age of 76.

His development of the Hawaiian style theatre course inspired students to research locally sourced materials and collaborate on scripts to be performed either on the main stage or in the lab theatre. Cravath selected themes relating to the geographic region surrounding Leeward CC, including culturally relevant issues and regional mythological origin stories.

Former Chancellor Doug Dykstra, Cravath’s colleague for many years, recalled an instance where the Hawaiian Style Theatre made an impact on students, parents and teachers from Pearl City High School (PCHS).

“Our collaboration with the PCHS Humanities Learning Center, through a grant from the �鶹��ý Council for the Humanities (HCH), allowed the PCHS teachers and students to gather a collection of oral history documents preserving the history of Pearl City’s pre-World War II community,” Dykstra said. “These transcripts were interpreted in the HCH publication entitled “Moʻolelo o Manana” by Sheila Nonaka Ellis. Paul’s students used this publication, and the original transcripts, as source material for their highly successful staging of For ʻEwa at the . Students, parents and teachers from PCHS were thrilled by this stage play that resonated in such a meaningful way.”

For ʻEwa was just one example of Cravath’s masterful staging. His innovative and creative approach to his craft was reinforced by his intensity in bringing out the best from his student thespians.

—By Tad Saiki

The people of �鶹��ý have acknowledged the outstanding work done by numerous University of �鶹��ý campuses, helping UH appear among the greatest in the state in Honolulu Star-Advertiser’s , released on Sunday, August 16.

The 2020 honors include:

• Best College:
• Best Career and Technical Education:
• Best Career and Technical Education Finalists: ,
• Best Tutoring Center: , Windward CC
• Best Art Gallery Finalist: , Windward CC
• Best Live Theatre Finalist: Leeward CC

“It’s gratifying and humbling to see multiple UH campuses recognized as the best by the readers of the Honolulu Star-Advertiser,” said UH President David Lassner. “This is a credit to our amazing and devoted faculty and staff who have adapted repeatedly to ensure UH continues to provide an excellent education for students during this unprecedented time. Public higher education has never been more critical to �鶹��ý, and every one of our campuses has remained steadfast in our commitment to to support students of all ages and backgrounds throughout the islands achieve their hopes and dreams.”

The �鶹��ý’s Best Awards are chosen each year by the readers of the Honolulu Star-Advertiser. This year’s publication featured more than 150 categories. Additionally, the 2020 �鶹��ý’s Best Awards marks another consecutive year for UH ����ԴDz� as the state’s Best College and Leeward CC’s sixth consecutive year of recognition in two categories.

“It is an honor for UH ����ԴDz� to be recognized as the Best College by the people of �鶹��ý,” said UH ����ԴDz� Provost Michael Bruno. “The campus is dedicated to being a Hawaiian place of learning to better support the community in every aspect possible. UH ����ԴDz� has a creative and generous spirit, and I am proud of all the efforts made by our students, faculty and staff.”

“This selection of Windward CC‘s as �鶹��ý’s Best in two categories and finalist in another recognizes the hard work and love our faculty and staff invest in our students, changing lives and inspiring excellence,” added Windward CC Chancellor Ardis Eschenberg. “Mahalo nui to the readers of Star-Advertiser for this award and to our students who make higher education relevant and meaningful.”

The �鶹��ý State Theatre Council honored the 2020 Poʻokela Award recipients in an online livestream on Facebook and YouTube on August 10. In the virtual award show, “Stars’ Night IN,” a spin-off of last year’s theme, , and theatre programs garnered a multitude of awards.

This year, Windward CC ranked just below Diamond Head Theatre for the most awards, garnering a total of 14 awards for productions Children of Eden and Oriental Faddah and Son and an Excellence in Service Award for Brandon DiPaola, a Windward CC alum. Recognition for Oriental Faddah and Son included five acting Poʻokela Awards earned by students.

“Performing poetry in a vocal chorus takes astonishing precision,” said Taurie Kinoshita, theatre director and instructor at Windward CC. “In order to communicate the meaning of the poem, certain words or phrases need to be emphasized. These actors had to alternate phrases, then share a single word, then individually speak a line, then come in together at the exact same time for another phrase—achieving this kind of unison is stunningly difficult. The accuracy in their vocal choral work these actors achieved was phenomenally impressive. They did this while speaking from the heart, staying focused and in character and adapting to the changing line divisions I kept giving them in order to aurally and visually communicate (author Lee A.) Tonouchi’s powerful poetry to a theatrical audience.”

The Poʻokela Awards have recognized excellence in local theater since 1984. A panel of three adjudicators selects honorees in 23 theater arts categories, including producing, directing, performing, design and technical theater. Awards are given for excellence in each category. The adjudicators may also recognize excellence outside these categories through discretionary awards.

Excellence in Service Award

Each member organization of the �鶹��ý State Theatre Council may recognize an individual for service to a program or organization during the most recent production season.

• Chelsea Yamashiro, Leeward Theatre
• Brandon DiPaola, Windward CC �ʲ�������ū Theatre
• Rachel Sorensen, UH ����ԴDz� Kennedy Theatre

Design

Costume Design

• Maile Speetjens, UH ����ԴDz� assistant professor, I Made’ Widana and Anna Reynolds, The Last King of Bali, UH ����ԴDz� Kennedy Theatre
• Anna Foster, Children of Eden, Windward CC �ʲ�������ū Theatre
• Carlynn Wolfe, The Secret in the Wings, Leeward Theatre
• Cindy Fukushima and Samantha Fukushima, Nocturnal Emissions, Leeward Theatre

Sound Design

• Steve Nelson, Children of Eden, Windward CC �ʲ�������ū Theatre
• John Signor and Sam Willis, The Secret in the Wings, Leeward Theatre
• Emma Torgrimson Lee, The Last King of Bali, UH ����ԴDz� Kennedy Theatre

Lighting Design

• Brian Shevelenko, ʻAuʻa ʻIa: Holding On, UH ����ԴDz� Kennedy Theatre
• Sarah Whitehead, The Secret in the Wings, Leeward Theatre

Set Design

• Michelle Bisbee, UH ����ԴDz� assistant professor, Murder on the Orient Express, Diamond Head Theatre

Hair, Wig, Makeup Design

• Samantha Fukushima, Nocturnal Emissions, Leeward Theatre
• Maile Speetjens, UH ����ԴDz� assistant professor, Murder on the Orient Express, Diamond Head Theatre

Performance in a Play

Leading Male

• Dylan Chace Lee, UH ����ԴDz� alumnus, The Curious Incident of the Dog in the Night Time, ����ԴDz� Valley Theatre​
• Nicolas Logue, assistant professor at Windward CC, Macbeth, Hawaii Shakespeare Festival

Featured Male

• Adrian Khactu, from UH ����ԴDz�’s english department, The Curious Incident of the Dog in the Night Time, ����ԴDz� Valley Theatre​

Featured Female

• Kirstyn Galius, UH ����ԴDz� alumna, Macbeth, Hawaii Shakespeare Festival
• Ann Brandman, public information officer at UH ����ԴDz� Outreach, Cinderella Waltz, TAG–The Actor’s Group

Performance in a Musical

Leading Male

• Matthew Pennaz, UH ����ԴDz� alumnus, The Sound of Music, Diamond Head Theatre
• Michael Bright, Children of Eden, Windward CC �ʲ�������ū Theatre

Leading Female

• Jade Stice and Jade Bright, Children of Eden, Windward CC �ʲ�������ū Theatre

Featured Male

• Miguel Cadoy III, Children of Eden, Windward CC �ʲ�������ū Theatre
• Will Thompson, UH ����ԴDz� alumnus, Kinky Boots, Diamond Head Theatre

Featured Female​

• Lauren Cabrera, Children of Eden, Windward CC �ʲ�������ū Theatre

Performance in a Non-traditional Production

Leading Male​

• Bandon Hagio and Alakaʻi Cunningham, ​​Oriental Faddah and Son, Windward CC ​​�ʲ�������ū Theatre

Leading Female​

• Marilynn Bellinger, ​​Oriental Faddah and Son, Windward CC �ʲ�������ū Theatre

Featured Male

• Noah Nakachi and Michael S. Lau, ​​Oriental Faddah and Son, Windward CC �ʲ�������ū Theatre

Featured Female​

• Meenakshi Kutty​​, ​​Oriental Faddah and Son, Windward CC �ʲ�������ū Theatre

Ensemble Performance

Ensemble Performance in a Play

• Faʻalavelave “The Interruption”​ by Kiki Rivera, UH ����ԴDz� alumna, Kumu Kahua Theatre

Ensemble Performance in a Non-traditional Production

• The Last King of Bali, UH ����ԴDz� Kennedy Theatre
• The Secret in the Wings, ​​​Leeward Theatre
• Nocturnal Emissions, Leeward Theatre

Directing

Director of a Play

• Taurie Kinoshita, Macbeth, Hawaii Shakespeare Festival
• Harry Wong III, theatre lecturer at Windward CC, Ua Pau (It is Finished, Over, Destroyed)​, Kumu Kahua Theatre

Director of a Non-traditional Play

• Betty Burdick, The Secret in the Wings, Leeward Theatre
• Taurie Kinoshita, ​​Oriental Faddah and Son​​, Windward CC �ʲ�������ū Theatre

Musical Director

• John Signor, The Secret in the Wings, Leeward Theatre
• Clarke Bright, Children of Eden, Windward CC �ʲ�������ū Theatre

Dance/Movement/Combat Choreography

• Alex Durrant, dance lecturer at Windward CC, and Nicolas Logue, Macbeth, Hawaii Shakespeare Festival
• Marcelo Pacleb, Children of Eden, Windward CC ​​�ʲ�������ū Theatre
• Nani Marcos and Kira Moriguchi, Nocturnal Emissions, Leeward Theatre

Overall Production

Overall Non-traditional Production

• The Secret in the Wings, Leeward Theatre
• Nocturnal Emissions, Leeward Theatre
• The Last King of Bali, UH ����ԴDz� Kennedy Theatre

Pierre Bowman Award

• Thomas Tochiki, UH alumnus (posthumously)

Playwriting

• Alani Apio,​�ċ UH alumna, Ua Pau (It is Finished, Over, Destroyed)​, Kumu Kahua Theatre
• Tammy Hailiʻōpua Baker, ​​ʻAuʻa ʻIa: Holding On, UH ����ԴDz� Kennedy Theatre
• Rasa Fournier, UH ����ԴDz� alumna, and Kevin Keaveney,​ Woman’s Triumph: Celebrating 100 Years…, Hawaiian Mission Houses

Guest Artist

• Greg Zane, UH ����ԴDz� alumnus, The Sound of Music, ​Diamond Head Theatre
• I Ketut Wirtawan, I Made’ Widana and I Made’ Moja, The Last King of Bali, UH ����ԴDz� Kennedy Theatre

Adjudicator’s Award

• Props Designer – Sara Ward, UH ����ԴDz� alumna, ���Գ���​�ċ, ����ԴDz� Valley Theatre
• Guitar Performance – Honybal Sosa, ​The Secret in the Wings, ​​Leeward Theatre

The �鶹��ý State Theatre Council announced the 2019 Poʻokela Award recipients at “Stars’ Night Out” on Monday, August 12, at a gala at the Koʻolau Ballrooms and Conference Center in Kāneʻohe. University of �鶹��ý at ����ԴDz�, Leeward Community College and Windward Community College theater programs brought home a haul of awards.

The Poʻokela Awards have recognized excellence in local theater since 1984. A panel of three adjudicators selects honorees in 23 theater arts categories, including producing, directing, performing, design and technical theater. Awards are given for excellence in each category. The adjudicators may also recognize excellence outside these categories through discretionary awards.

Excellence in Service Award

Each member organization of the �鶹��ý State Theatre Council may recognize an individual for service to a program or organization during the most recent production season.

• UH ����ԴDz� Kennedy Theatre—masters in fine arts (MFA) in directing candidate Katherine Altman
• Leeward Theatre—Marshall Cressy
• Windward Community College �ʲ�������ū Theatre—Patricia Brubaker

Excellence in Theatrical Design Awards

Hair, Wig, Makeup Design

• Lisa Ponce de Leon, The Wiz, Windward CC �ʲ�������ū Theatre

Costume Design

• Maile Speetjens, UH ����ԴDz� assistant professor, A Midsummer Night’s Bollywood Dream, UH ����ԴDz� Kennedy Theatre
• Anna Foster, Windward CC The Wiz at �ʲ�������ū Theatre

Scenic Design

• Michelle Bisbee, UH ����ԴDz� assistant professor, Dr. Seuss’s The Cat in the Hat, UH ����ԴDz� Kennedy Theatre
• Michelle Bisbee, Allegiance, Manoa Valley Theatre
• Claire Paul, In the Heights, Leeward CC Theatre

Lighting Design

• Chris Gouvea, In the Heights, Leeward CC Theatre

Sound Design and Engineering

• Claire Ranney, In the Heights, Leeward CC Theatre

Excellence in Performance Awards

Featured Female in a Play

• Catherine Ann Restivo, UH ����ԴDz� MFA candidate, The Good Person of Setzuan, UH ����ԴDz� Kennedy Theatre
• Christine Lamborn, UH ����ԴDz� MFA candidate, The Country Wife, UH ����ԴDz� Kennedy Theatre
• Qiaoer Zheng, UH ����ԴDz� PhD candidate, June is the First Fall, Kumu Kahua Theatre

Leading Male in a Play

• Dean Mo, UH ����ԴDz� MFA candidate, The Good Person of Setzuan, UH ����ԴDz� Kennedy Theatre

Leading Female in a Play

• Christine Chang, UH ����ԴDz� MFA candidate, The Good Person of Setzuan, UH ����ԴDz� Kennedy Theatre

Leading Male in a Musical

• Matthew Pederson, The Wiz, Windward CC �ʲ�������ū

Leading Female in a Musical

• Bailey Barnes, The Wiz, Windward CC �ʲ�������ū
• Kimie Fujioka, In the Heights, Leeward CC Theatre

Featured Female in a Musical

• Kris 10 Misaki, In the Heights, Leeward CC Theatre

Ensemble Performance of a Play

• Dead Accounts, Chaminade/Loo Theatre, Directed by Tyler Haugen, UH ����ԴDz� MFA candidate
• The Wolves, Kailua Onstage Arts, directed by UH ����ԴDz� Assistant Professor Stacy Ray

Ensemble Performance in a Non-traditional Production

• A Midsummer Night’s Bollywood Dream, UH ����ԴDz� Kennedy Theatre

Directorial Excellence Awards

Dance/Stage Combat/Movement

• Marcelo Pacleb, The Wiz, Windward CC �ʲ�������ū
• Sai Bhatawadekar, UH ����ԴDz� associate professor, Midsummer Night’s Bollywood Dream, UH ����ԴDz� Kennedy Theatre

Music Direction

• Ike Webster, recent UH ����ԴDz� MFA graduate, Something Rotten!, Diamond Head Theatre
• Ike Webster, A Midsummer Night’s Bollywood Dream, UH ����ԴDz� Kennedy Theatre

Direction – Musical Theatre

• Paul Mitri, UH ����ԴDz� professor, Allegiance, ����ԴDz� Valley Theatre
• Christopher Patrinos, In the Heights, Leeward CC Theatre

Direction – Play

• Ike Webster, The Good Person of Setzuan, UH ����ԴDz� Kennedy Theatre
• Stacy Ray, UH ����ԴDz� assistant professor, The Wolves, Kailua Onstage Arts
• Tyler Haugen, Dead Accounts, Chaminade/Loo Theatre

Direction – Non-traditional Production

• Paul Mitri/Sai Bhatawadekar, A Midsummer Night’s Bollywood Dream, UH ����ԴDz� Kennedy Theatre

Overall Production Excellence Awards

Overall Production of a Musical

• In the Heights, Leeward Theatre

Overall Production of a Play

• Dead Accounts, Chaminade/Loo Theatre, Directed by Tyler Haugen

The Wolves, Kailua Onstage Arts, Directed by UH ����ԴDz� Assistant Professor Stacy Ray

Overall Production of a Non-traditional Performance

• A Midsummer Night’s Bollywood Dream, UH ����ԴDz� Kennedy Theatre

Recognition of �鶹��ý Resident Playwrights’ Original Works

• Moses Goods, The Epic Voyage of Kaneʻapua, �ʲ�������ū Theatre

Adjudicator’s Special Awards

• Music/Lyric Composition – Ike Webster/Sai Bhatawadekar, A Midsummer Night’s Bollywood Dream, UH ����ԴDz� Kennedy Theatre